The Battle of Life: A Love Story is an 1846 novel by Charles Dickens. It is the fourth of his five "Christmas Books", coming after The Cricket on the Hearth and followed by The Haunted Man and the Ghost's Bargain.
The setting is an English village that stands on the site of an historic battle. Some characters refer to the battle as a metaphor for the struggles of life, hence the title.
Battle is the only one of the five Christmas Books that has no supernatural or explicitly religious elements. (One scene takes place at Christmas time, but it is not the final scene.) The story bears some resemblance to The Cricket on the Hearth in two respects: it has a non-urban setting, and it is resolved with a romantic twist. It is even less of a social novel than is Cricket. As is typical with Dickens, the ending is a happy one.
It is one of Dickens's lesser-known works and has never attained any high level of popularity – a trait it shares with The Haunted Man, in contrast to the other of his Christmas Books.
Plot summary
Two sisters, Grace and Marion, live happily in an English village with their two servants, Clemency Newcome and Ben Britain, and their good-natured widower father Dr Jeddler. Dr Jeddler is a man whose philosophy is to treat life as a farce. Marion, the younger sister, is betrothed to Alfred Heathfield, Jeddler's ward who is leaving the village to complete his studies. He entrusts Marion to Grace's care and makes a promise to return to win Marion's hand.
Michael Warden, a libertine who is about to leave the country, is thought by the solicitors Snitchey and Craggs to be about to seduce the younger sister into an elopement. Clemency spies Marion one night in her clandestine rendezvous with Warden. On the day that Alfred is to return, however, it is discovered that Marion has run off. Her supposed elopement causes much grief to both her father and her sister.
Six years pass. Clemency is now married to Britain and the two have set up a tavern in the village. After nursing heartbreak, Alfred marries Grace instead of Marion and she bears him a daughter, also called Marion. On the birthday of Marion, Grace confides to Alfred that Marion has made a promise to explain her so-called "elopement" in person. Marion indeed appears that evening by sunset and explains her disappearance to the parties involved. It turns out that Marion has not "eloped" but has instead been living at her aunt Martha's place so as to allow Alfred to fall in love with Grace. Tears are shed and happiness and forgiveness reign as the missing sister is reunited with the rest. Warden also returns, and, forgiven by Dr Jeddler, marries Marion.
Charles John Huffam Dickens FRSA (/ˈdɪkɪnz/; 7 February 1812 – 9 June 1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era.[1] His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognised him as a literary genius. His novels and short stories are widely read today.[2][3]
Born in Portsmouth, Dickens left school at the age of 12 to work in a boot-blacking factory when his father was incarcerated in a debtors' prison. After three years he returned to school, before he began his literary career as a journalist. Dickens edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed readings extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, for education, and for other social reforms.
Dickens's literary success began with the 1836 serial publication of The Pickwick Papers, a publishing phenomenon—thanks largely to the introduction of the character Sam Weller in the fourth episode—that sparked Pickwick merchandise and spin-offs. Within a few years Dickens had become an international literary celebrity, famous for his humour, satire and keen observation of character and society. His novels, most of them published in monthly or weekly instalments, pioneered the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication.[4][5] Cliffhanger endings in his serial publications kept readers in suspense.[6] The instalment format allowed Dickens to evaluate his audience's reaction, and he often modified his plot and character development based on such feedback.[5] For example, when his wife's chiropodist expressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her own disabilities, Dickens improved the character with positive features.[7] His plots were carefully constructed and he often wove elements from topical events into his narratives.[8] Masses of the illiterate poor would individually pay a halfpenny to have each new monthly episode read to them, opening up and inspiring a new class of readers.[9]
His 1843 novella A Christmas Carol remains especially popular and continues to inspire adaptations in every artistic genre. Oliver Twist and Great Expectations are also frequently adapted and, like many of his novels, evoke images of early Victorian London. His 1859 novel A Tale of Two Cities (set in London and Paris) is his best-known work of historical fiction. The most famous celebrity of his era, he undertook, in response to public demand, a series of public reading tours in the later part of his career.[10] The term Dickensian is used to describe something that is reminiscent of Dickens and his writings, such as poor social or working conditions, or comically repulsive characters.