Faust is a tragic play in two parts by Johann Wolfgang von Goethe, usually known in English as Faust, Part One and Faust, Part Two. Nearly all of Part One and the majority of Part Two are written in rhymed verse. Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages. Faust is considered by many to be Goethe's magnum opus and the greatest work of German literature.[1]
The earliest forms of the work, known as the Urfaust, were developed between 1772 and 1775; however, the details of that development are not entirely clear. Urfaust has twenty-two scenes, one in prose, two largely prose and the remaining 1,441 lines in rhymed verse. The manuscript is lost, but a copy was discovered in 1886.[2]
The first appearance of the work in print was Faust, a Fragment, published in 1790. Goethe completed a preliminary version of what is now known as Part One in 1806. Its publication in 1808 was followed by the revised 1828–29 edition, the last to be edited by Goethe himself.
Goethe finished writing Faust, Part Two in 1831; it was published posthumously the following year. In contrast to Faust, Part One, the focus here is no longer on the soul of Faust, which has been sold to the devil, but rather on social phenomena such as psychology, history and politics, in addition to mystical and philosophical topics. The second part formed the principal occupation of Goethe's last years.
Johann Wolfgang von Goethe[a] (28 August 1749 – 22 March 1832) was a German poet, playwright, novelist, scientist, statesman, theatre director, and critic.[3] His works include plays, poetry, literature, and aesthetic criticism as well as treatises on botany, anatomy, and colour. He is widely regarded as the greatest and most influential writer in the German language, his work having a profound and wide-ranging influence on Western literary, political and philosophical thought from the late 18th century to the present day.[3][4]
Goethe took up residence in Weimar in November 1775 following the success of his first novel, The Sorrows of Young Werther (1774). He was ennobled by the Duke of Saxe-Weimar, Karl August, in 1782. Goethe was an early participant in the Sturm und Drang literary movement. During his first ten years in Weimar, Goethe became a member of the Duke's privy council, sat on the war and highway commissions, oversaw the reopening of silver mines in nearby Ilmenau, and implemented a series of administrative reforms at the University of Jena. He also contributed to the planning of Weimar's botanical park and the rebuilding of its Ducal Palace.[5][b]
Goethe's first major scientific work, the Metamorphosis of Plants, was published after he returned from a 1788 tour of Italy. In 1791 he was made managing director of the theatre at Weimar, and in 1794 he began a friendship with the dramatist, historian, and philosopher Friedrich Schiller, whose plays he premiered until Schiller's death in 1805. During this period Goethe published his second novel, Wilhelm Meister's Apprenticeship; the verse epic Hermann and Dorothea, and, in 1808, the first part of his most celebrated drama, Faust. His conversations and various shared undertakings throughout the 1790s with Schiller, Johann Gottlieb Fichte, Johann Gottfried Herder, Alexander von Humboldt,[6] Wilhelm von Humboldt, and August and Friedrich Schlegel have come to be collectively termed Weimar Classicism.
The German philosopher Arthur Schopenhauer named Wilhelm Meister's Apprenticeship one of the four greatest novels ever written,[7][c] while the American philosopher and essayist Ralph Waldo Emerson selected Goethe as one of six "representative men" in his work of the same name (along with Plato, Emanuel Swedenborg, Montaigne, Napoleon, and Shakespeare). Goethe's comments and observations form the basis of several biographical works, notably Johann Peter Eckermann's Conversations with Goethe (1836). His poems were set to music by many composers including Mozart, Beethoven, Schubert, Berlioz, Liszt, Wagner and Mahler.