Tales from Silver Lands is a book by Charles Finger that won the Newbery Medal in 1925.[1]
The book is a collection of nineteen folktales of the native populations of Central and South America. Collected during Finger's travels, it was one of the first volumes of South American indigenous folktales available to children.[2] Finger also includes information about how the tales were told, including some cultural norms, and any items used in telling the story.
Charles Joseph Finger (December 25, 1869 – January 7, 1941) was a British born American writer. He also directed an orchestra and taught piano.
Finger was born in Willesden, England, and educated at King's College London. He had a strong literary and musical formation, and was quite active in the Fabian movement. At age 20 he began to travel extensively, visiting first Tierra del Fuego and Patagonia, where he worked as gold seeker, guide, and cook for the first sheep farming stations, in the period of Selknam genocide. He moved to New York and London, thereafter, and to a number of cities in Texas. He worked as an accountant and musician, eventually settling in Fayetteville, Arkansas, where he began to concentrate on writing.[1][2]
He became the acting editor of the Reedy's Mirror after William Marion Reedy's death in 1920.[3]
Finger won the 1925 Newbery Medal for the book Tales from Silver Lands (1924), a collection of stories from Central and South America. Some of his other works are Bushrangers (1924), Tales Worth Telling (1927), Courageous Companions (1929), and A Dog at His Heel (1936). His autobiography is Seven Horizons (1930).
Finger was an accomplished musician. He directed the San Angelo Conservatory of Music in Texas, from 1898 to 1904.[4] One of his piano students in San Angelo was David Wendel Guion, who achieved notability for arranging and popularizing the ballad "Home on the Range". Finger, whose daughter Helen Finger was a lithographer, took special pains to promote the work of Arkansas painter and lithographer James Duard Marshall.[5] Helen Finger and James Duard Marshall had worked together teaching adult art classes in Fayetteville, Arkansas, under the Federal Emergency Relief Act.[6]
The epitaph on Finger's gravestone is "This voyage done, set sail and steer once more To further landfall on some nobler shore." He is buried in the Farmington, Arkansas cemetery.